The Language of My Century: Play and Aesthetics in Contemporary Spectacle
Abstract
This thesis traces the origins of Guy Debord's "Society of the Spectacle" attempts to extend his central notion of spectacle.
Keywords:
Political Science, Art History, Critical Theory, Situationist International, Spectacle
Status
Undergraduate
Department
Political Science
College
Honors Tutorial College
Campus
Athens
Faculty Mentor
Grant, Judith
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
COinS
The Language of My Century: Play and Aesthetics in Contemporary Spectacle
This thesis traces the origins of Guy Debord's "Society of the Spectacle" attempts to extend his central notion of spectacle.